Concept for a Prime Fallacy Cha Cha Video

Concept image for Prime Fallacy Cha Cha video

I started composing this track in 2006 and put it together in its final sequence in 2010 for my Experimentum Crucis album. Then, sometime in November 2011 I happened to ask a friend if he wanted to collaborate on a music video for it using his photography skills and a day or two of shooting cityscapes. This was the concept I e-mailed to him.

Songwriting Tips from 3 Influential New Wave Tracks

These three New Wave/New Romantic tracks from the 1980s influenced me and inspired me to create electronic music. While there are many more obvious choices I could have included (Depeche Mode, New Order, and Tears for Fears), these songs embody everything about electronica that appeals to me, even if the tracks themselves aren’t electronic.

2 Creative Tips: Capture All, Delete Nothing

Image courtesy of raja4u

There are two maxims I live by in creating music and ensuring there is a constant flow of ideas in my creative process: Capture All and Delete Nothing. A comprehensive explanation follows on my process.

Creative MIDI Sequencing Tips and “Sitsiritsit Alibangbang”

The track was born during the 2005 recording sessions for my EP “Kodomo”, I asked vocalist Yu:Mi Calderon to sing any old Filipino folk song that she knew by heart. She sang the first verse of “Sitsiritsit Alibangbang” into the microphone, acapella — with no backing track, no fixed tempo and no designated key. I figured, I may someday use it. I wasn’t quite sure what I would do with it though.

New Track + Video: Severe and Multiply (Acid42 Remix)

Here’s a glitchy, noisy, drum & bass remix I made for a track by artist and former University of the Philippines art professor, Fatima Lasay. The remix takes the original track and slices it into many more more chaotic pieces, adding drums and an overt rhythm section where once there was none. How I did it, follows.

New Track + Video: Lamay

A typical scene at a funeral wake in the Philippines

Here’s a new upbeat and jazzy electronic track entitled “Lamay,” which means funeral wake in Filipino. I took the melody from a traditional folk song and put together a joyful, jazzy, energetic arrangement that focuses less on the grief of losing a loved one, and more on the hope of being reunited with the loved one in eternity.