Track: Hymn of College Of Saint Benilde (electropop remix)

Presenting the Hymn of De La Salle -College of Saint Benilde, given an electropop/hiphop spin by yours truly (with a touch of neo-classical in the bridge). Of course you realize all these genre labels sound cool, but that I’m really just making those terms up, right? Hahahahaha!!!!

Track: Midnight Monologue

Inspired to write some gothic-sounding electronic rock because of last Friday’s goth gig at Cubao X, I came up with this anthemic tune in a matter of 3 hours using Reason software and channeling all my angst into it.

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Gigging and Gothing About at Cubao-X

A full night of music and an Acid42 performance at the Cubao-X venue in Quezon City, Philippines: I actually tried something new tonight, and constructed a few on-the-spot loops for the event. Since the night was primarily a gathering of goths and goth-music lovers, I tried my hand at crafting some moody atmospheres on-the-fly. And some of it worked. When the rest of it was starting to suck, I had to start playing my pre-constructed slow songs. They were still a bit too hip-hoppish and funky for the goth crowd, I felt, but what the hey.

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Acid42 in Stuff Magazine: Aug 2005

So, a few months back, an editor friend emailed me asking if he could interview me via email for the cover story he was doing on Stuff Magazine Philippines’ August 2005 issue. He wanted me to talk about mp3s, QED Records and the future of music. I was game. Answered all the questions, (rather lengthily), sent in the email, and waited.

Toward a Truly Philippine Music

Do Filipinos have a unique musical sound? My answer is yes. But it isn’t being practised much by people outside of the local world music genre (Grace Nono, Joey Ayala, Bayang Barrios, Pinikpikan, etc.) Right now it exists though it’s more a vague fog than a typhoon of output.

I’m talking about folksong-inspired music — music which uses our local folk songs as inspiration. Not remakes of ethnic chants or remixes of kundimans, but rather traditional folksongs as building blocks for new music regardless of the genre of the final output (be it pop, classical, electronic, or death metal.) National artist and composer Lucio San Pedro called it Creative Nationalism.

Japan Odyssey: Gigging with Grace Nono at the World Expo 2005

From April 5 to 9, 2005, I was in Nagoya, Japan, as keyboardist, laptop musician and backup singer for the Grace Nono and Bob Aves group. We performed for one hour at the Expo Dome, a 3,000-seater auditorium located within the 300-hectare World Expo 2005 Nagakute site, which just days before us, featured Alanis Morisette. And we rocked the house with a set featuring songs which mixed traditional Philippine tribal music with Western-flavored and electronic arrangements. Traditional + experimental = spiritual world music in ancient languages.

Use Your PC to Make Music

You like music, you have a PC, and you’ve heard that people use these contraptions nowadays to make music. People are writing and printing sheet music using software. Some put together songs from scratch using only their PC. Some remix other people’s music using software and loops of music. Many music professionals record live instruments onto their computer, incorporating their computers into their private and commercial studios. Others use their computers to spin tunes like a DJ, or to perform live electronic music using software geared towards performance, installed on laptops which are chained to various instruments via USB or MIDI cables.

How exactly they do it all might seem like medieval witchcraft to you, but that’s why FAST FORWARD is here to enlighten with a beginner’s guide to making music on the PC.

Acid42 in T3 Magazine Philippines

The July 2004 issue of T3 magazine Philippines finally came out, and they did a piece on Philippine electronica musicians and their favorite pieces of gear.  Several of us from Electronica Manila were featured quite nicely. the article was written by Karlo Samson, and each of us featured had a little sidebar with a quick profile. Cool article on the machines we make music with… and the people behind the local electronic scene. Bravo!

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Concept: Electronic Mass of Light in G-Major

Photo by Nicholas Stock

I have always loved classical music created with the Mass format in mind. Bach, Beethoven and Mozart had magnificent works which followed the Mass proper in Latin: Introit, Kyrie, Gloria, Alleluia, Agnus Dei, etc. And this intrigued me as a composer of liturgical music, and now, as a producer of electronic music.

So why not a mixture of these things: the sung sections of the Mass, electronic music, and theater? I came up with this idea sometime in 1998: to stage a theater production in the same vein. And to call it the Electronic Mass of Light in G-Major.